A Tochigi Day Trip - Part 2 - Oya

We hadn't spent much time in Utsunomiya before we decided to move out of the city and into the adjacent town of Oya. To be frank, when I first planned the road trip, Oya was meant to have been more of a distraction than anything else, but the cozy town turned out to be so much more than that.
 Oya is the exclusive place where Oya stone can be found. It's a unique rock that pretty much put the town of Oya on maps. Within the town, there are countless monuments made of it, and blocks of it seemed to have been carved right out of cliff faces, giving the landscape a bit of a peculiar look.

The Oya-ji Temple and the Oya Kannon.

Our first stop in Oya was the Oya-ji temple, a Buddhist temple with a very ancient history. The temple itself is nestled in a cave-like depression in a rock made of Oya stone. Upon entering it, a 1200 year old Kannon Goddess can be seen carved into the face of the rock. You're not supposed to take pictures of it, but I sneaked one for the sake of satisfying the curiosity of the few readers I have. Other figures are also carved into the rock, though notably not as important as the Goddess herself. Ken noted that there were words inscribed into the stone next to each respective figure, but the writing looked so far removed from Japanese that I couldn't help but wonder at the evolution of the written language.

The Heiwa Kannon and some unphotogenic Adventure Friends.

 Across from the temple, though nowhere as ancient as the Oya Kannon within the cave, is the Heiwa Kannon, another Goddess carved out of the indigenous rock. Overlooking a square, the Heiwa Kannon is much taller, standing at nearly 30 meters in height, and an impressive sight in and of itself. From what I've read, it was carved by hand as a World War II memorial. There are steps allowing visitors to climb up to its head, and give visitors a good view of the Oya-ji temple. We promptly did that, and, lo-and-behold, what we discovered from up there turned out to be even more interesting...
  A haikyo! We told ourselves we'd get back to it later, since we had one more thing we wanted to check out within the town. I'll elaborate further down.

All credit to Agha for this brilliant picture. It's hard to make Ken look like a child molester but he pulled it off.

 Our next stop was the Oya Stone Museum. And though my companions originally weren't sure what
to think of a museum based on stone, they were open to the idea of checking it out, and it sure as hell didn't disappoint. Essentially, the museum itself is a gigantic cavern. Located deep underground, the dark, cavernous halls of the museum were approximately 15 degrees colder than surface temperature, and we could see warmth of our breaths in the dim light. The cave turned out to be one of the highlights of our trip despite our initial skepticism. It was hard not to be amazed by the vastness of the underground chambers located under the small building on the surface. The walls were so high that the ceiling above was plunged into darkness. The whole thing felt very much like some kind of Egyptian tomb. Here are there, small art installations were installed and lit up in colored lights. We later on found out that many different music videos, commercials, and movie scenes were shot within these very halls. Some parts of the cavern were barred off and inaccessible, making it hard to tell how deep the man-made tunnels even went. We left the museum pretty satisfied with what we had seen.

 Thereafter, we took our bikes to the abandoned place we had seen earlier, from the top of the Heiwa Kannon statue. It took a little research for us to find out that the ruins before us were those of the abandoned Yamamoto Grand Center, which had been left to ruin at some point during the '80's (not a hundred years ago, as one of the locals tried to get us to believe.) The surface of the decaying structure was covered in vines and other various plant-life, so deep the ground-level of the building could hardly be seen. The tall grass was a nest full of vipers, as was made evident by the nearby signs. Though we were in broad daylight, we promptly decided to ditch our bicycles and find a way inside the building, but as we approached chains barred our way, alongside with a camera and another sign warning trespassers of an alarm. I swear to God, a pheasant also jumped out of a bush and scared the shit out of us, and so we decided it wasn't in the cards for us to visit this place, and we turned tail. Maybe some other time.

 Evening was encroaching on us by then, and we still had one appointment left, back in Utsunomiya. In fact, what came next was the very reason we had even come to Tochigi in the first place.